Monday, January 22, 2018
It's not a total waste though, learning more about portrait photography has gotten me to think more about posing which I hope will improve my drawing. On the downside, I now look at Instagram way too much.
Watching: Dunkirk by Christopher Nolan
Reading: The Fade Out by Ed Brubaker and Sean Phillips
Listening to: Something For Kate - Desert Lights, Amanaz - Africa
Saturday, December 30, 2017
I recently tried my hand at some portrait photography, which I've been interested in doing for a while. Looking through 650+ photos with a virtual magnifying glass was a frustrating process, because it constantly reminded me that even though I had prepped myself on what not to do, I probably made every mistake short of accidently formatting my memory card. A large part of it was nerves, I found it hard to stay patient with less than 1.5 hrs of daylight. Relying on another person was also uncomfortable for me, even though I have to deal with other people at work (directors/editors/producers), storyboarding is ultimately a solitary endevour.
After 2 days of culling and editing I did end up with a couple decent shots and writing a list of everything I did wrong made me want to have another crack at it.
Watching: Baby Driver by Edgar Wright, L'Assassino by Elio Petri, Colossal by Nacho Vigalondo, Bridge of Spies by Steven Spielberg
Reading: Artemis by Andy Weir
Listening to: Peace - Black Power, Bernard Fanning Brutal Dawn, The War on Drugs - Slave Ambient, Something for Kate - The Official Fiction, Mavis Staples - If All I Was Was Black, The Decemberists - Long Live The King E.P
Wednesday, November 01, 2017
The lineart seems fine, I used a hard brush with no opacity variation which resulted in very clean lines.
The flat colours look okay, but I think this is where things start to go downhill. Going into the colour process with no plan always results in the same palettes. Also, having very little to no clothing details or accessories leaves huge blocks of undefined, flat, boring colour.
Finally, we come to the shadows. This has been one of my biggest weaknesses and I don't think I'm improving at all. Although I think they look okay over the lineart, they look awful over the flat colours. They are too evenly distributed over the whole figure and instead of helping to define form, actually confuse the eye.
Watching: Funny Face by Stanley Donen
Reading: The Storm Before the Storm by Mike Duncan
Listening to: The Deep Dark Woods - Yarrow